1952. Sammy Fabelman is six years old and doesn’t want to go to the cinema, he is afraid to face that world of giants. His mother assures him that movies are unforgettable dreams, his father reassures him by describing the prodigy of a machine that makes still images move. In front of their child, Mitzi and Burt each assume their own role: poetry on the one hand, technology on the other. In room Cecil B. DeMille’s Greatest Show on Earth does the rest...
Read More ...
